<?xml version="1.0" encoding="UTF-8"?>
<metadata>
  <identifier>larr14</identifier>
  <title>[larr14] manuel giao . grandonda</title>
  <creator>manuel giao</creator>
  <mediatype>audio</mediatype>
  <collection>larraskito</collection>
  <collection>netlabels</collection>
  <description>Manuel Giao es un guitarrista y modificador de instrumentos que opera desde Barreiro, en Portugal. Su trabajo, según sus palabras influenciado por la primera música industrial, el free-jazz, el "drone" y el rock mas abstracto, busca su inspiración mas extrasonora en la relación entre el hombre la naturaleza. Las 2 piezas que componen su disco "Grandonda" no son una excepción: atmosferas majestuosas y levemente psicodélicas, realizadas en base a su guitarra y efectos, que parecen clamar a las montañas que rodean su tierra.&#13;
&#13;
+info: http://www.myspace.com/manuelgiao&#13;
&#13;
http://www.xedh.org/larraskito</description>
  <subject>portuguese ; improvisation ; guitar ; rock ; drone ; experimental ; abstract ; psychedelic</subject>
  <licenseurl>http://creativecommons.org/licenses/by-nc-sa/3.0/</licenseurl>
  <publicdate>2008-06-23 16:19:48</publicdate>
  <addeddate>2008-06-23 16:18:48</addeddate>
  <uploader>larraskito@xedh.org</uploader>
  <updater>larraskito</updater>
  <updater>larraskito</updater>
  <updater>larraskito</updater>
  <updatedate>2008-06-23 16:22:51</updatedate>
  <updatedate>2008-06-24 20:02:22</updatedate>
  <updatedate>2008-06-24 20:04:24</updatedate>
  <notes>MANUEL GIÃO &#13;
"GRANDONDA" &#13;
&#13;
Could music still be mind-touching if played through unconventional ways? &#13;
Would opposite values such as beauty and horror still be present and &#13;
reasonable if the border between pleasantness and bothersome was pushed &#13;
away? &#13;
&#13;
Manuel Gião is a musician who believes in a healthy relationship between &#13;
those opposites. Born in 1984, in Portugal, and based on Barreiro, the land &#13;
where things happen even if not felt by anyone, Manuel is currently living near &#13;
Estrela's mountain range, the country's highest point. He carries with &#13;
"Grandonda" this uncommon, godlike feeling that relies on the interrelation &#13;
between Man and the mountain: the sense of domination and worship to that &#13;
act of Nature. Regarding Estrela, as a way of illustrating this relationship, a &#13;
portuguese writer called Miguel Torga (1907-1995) once wrote on the "Beira" &#13;
chapter of his book entitled "Portugal" the following words: &#13;
&#13;
Actually, everytime I visited, looked and investigated, trying to understand it, I spinned around and around, and always around the same polarizer strength: Estrela. &#13;
&#13;
Miguel felt and wrote it down; Manuel does the same in “Grandonda”, through &#13;
another means of expression: translating and witnessing that superior, huge &#13;
worship to one of Nature's greatest act. &#13;
&#13;
"I like to think of music as a way to express feelings and visual / mental &#13;
places. Therefore, it can be harshly noisy, nerve-racking and / or quiet, an &#13;
ensemble of good, pleasant perceptions. It depends on what's the visual / &#13;
mental place one is looking at. It depends on what you want to achieve as a &#13;
human being.” &#13;
&#13;
Both tracks were recorded by Manuel on March 2008 at BlackBox rehearsal &#13;
room, situated in Bairro Alto, Lisbon.</notes>
  <updatedate>2008-06-24 20:06:38</updatedate>
  <updater>larraskito</updater>
</metadata>
